RECENT REVIEWS

She likes her house, so she paints it
Gary Michael Dault, The Globe and Mail, May 31, 2008.


My Fair Lady Things
Monika Burman, Mass Art Guide, May 2008.




FEATURED ARTIST

ROD MIREAU
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CURRENT EXHIBITIONS   May 29 - June 27, 2008

 

Kai McCall
Rearranging Storylines

Artist Reception Thursday, May 29 from 6-9 PM  



Lower Level

Figures, sometimes in groups and sometimes on their own, are shown caught up in a wide variety of enigmatic endeavours in the paintings of Kai McCall. These puzzling scenes have a dream-like quality and might take place in a vast and alien landscape, within a theatrical interior, or near an icy cliff. The fragments of recognizable imagery compel the viewer to look for identifiable narrative in each painting. However, the overall meaning of the work eludes us. The paintings read more like a work of fiction with the concluding chapters missing; we are conscious of a conflict developing yet the resolution remains suspended in time, the outcome ambiguous.

Trying to figure out the story line is not the point of the paintings, however. Meaning is communicated by the way they are painted, and the elaborate cultural and stylistic references contained within them....

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Moira Clark
Let the Eye Travel

Artist Reception Thursday, May 29 from 6-9 PM
 



Upper Level

"In this new series of oil paintings my sources are my home in Toronto as well as a house that I live in when I’m in Newfoundland. The show’s title is one of the definitions of the word survey because I felt I was surveying my domain while I was painting.  Working from views both inside the house and outside from my second floor studio window, I scanned spaces and measured distances in a detached way. Then I mixed the interior and exterior views together.   As the paintings evolved I realized a domestic space is about the outside as well as the inside of a home and is a combination of what one sees and what one knows is there.

Still lifes and interiors have always had an influence on my work.   A home is an important place to me; a sanctuary, and I like my house.  In these new pieces I painted areas that interested me but sometimes I’d paint things because other people pointed them out to me and said, “You should paint that”.  Since I made the interior of my house, it was a logical step that by painting it I could make something out of it.   However I wanted to disrupt the representation of these scenes by bringing in some abstraction and by incorporating passages of coloured grids from some of my earlier paintings...

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